Kon Ichikawa

Kon Ichikawa was born on Nov 20, 1915 in Japan. Kon Ichikawa's big-screen debut came with The Woman Who Touched the Legs directed by Kon Ichikawa in 1952. Kon Ichikawa is known for The Makioka Sisters directed by Kon Ichikawa, Yoshiko Sakuma stars as Sachiko Makioka and Sayuri Yoshinaga as Yukiko Makioka. Kon Ichikawa has got 32 awards and 23 nominations so far. The most recent award Kon Ichikawa achieved is Awards of the Japanese Academy. The upcoming new movie Kon Ichikawa plays is Ten Nights of Dreams which will be released on Jan 01, 2007.

Kon Ichikawa has been influenced by artists as diverse as Walt Disney and Jean Renoir, and his films cover a wide spectrum of moods, from the comic to the overwhelmingly ironic and even the perverse. Ichikawa began his career as a cartoonist, and this influence is apparent in his skillful use of the widescreen, and in the strong, angular patterns seen in many of his compositions. He has directed Monsieur Pû (1953), a popular film based on Junichi Yokoyama's "Mr. Pu" comic strip. At various points in his career Ichikawa has shown that he is capable of appealing to a popular audience without compromising his artistry. A great visual stylist and perfectionist, Ichikawa excels at screen adaptations of literary masterpieces, including Sôseki Natsume's Le pauvre coeur des hommes (1955), Yukio Mishima's Le pavillon d'or (1958), Jun'ichirô Tanizaki's La confession impudique (1959) and Je suis un chat (1975) and Tôson Shimazaki's Hakai (1962). He has also remade film classics, such as Yutaka Abe's Ashi ni sawatta onna (1926) (Ichikawa's version: 1952) and Teinosuke Kinugasa's Yukinojô henge: Daiippen dainihen (1935) (Ichikawa's version: 1963), transposing them to contemporary settings.The West was first introduced to Ichikawa when his La harpe de Birmanie (1956) won the San Giorgio Prize at the 1956 Venice Film Festival. His epic documentary Tokyo Olympiades (1965) (released the following year) and Seul sur l'océan pacifique (1963) explore, with dignity and imagination, the limits of human endurance. He has also worked in the thriller genre, with Ana (1957), Inugami-ke no ichizoku (1976) and Gokumon-to (1977). Ichikawa tends to present strongly etched, complex characters: the stuttering acolyte who desires to preserve the "purity" of the Golden Pavilion (ENJO); the elderly husband who resorts to injections and voyeurism in order to remain sexually active (KAGI); the member of a pariah class who tries to deny his identity and to "pass" in regular society (HAKAI). More recently, L'actrice (1987) is a tribute to the fiercely independent Japanese actress Kinuyo Tanaka, who starred in many of Kenji Mizoguchi's films and was herself a director in later life. On the lighter side, Ichikawa's characters also include a 19th-century cat; a good-hearted, hapless teacher; and a baby who narrates how the world looks from his vantage point. He is especially adept at mixing comedy and tragedy within the same story. Until 1965, Ichikawa's close collaborator was his wife, screenwriter Natto Wada, with whom he produced most of his finest films.